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Dennis Lehane returns to the streets of Mystic River with this love story wrapped in a crime story wrapped in a journey of faith—the basis for the major motion picture The Drop, from Fox Searchlight Pictures directed by Michaël Roskam, screenplay by Dennis Lehane, and starring Tom Hardy, Noomi Rapace, and James Gandolfini.
Three days after Christmas, a lonely bartender looking for a reason to live rescues an abused puppy from a trash can and meets a damaged woman looking for something to believe in. As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .
- Sales Rank: #67034 in Books
- Published on: 2014-09-02
- Released on: 2014-09-02
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .56" w x 5.31" l, .0 pounds
- Binding: Paperback
- 224 pages
Amazon.com Review
David Nicholls Interviews Dennis Lehane
David Nicholls, is the international bestselling author of One Day and the forthcoming Us: A Novel.
David: Some of your past books have been adapted into major movies— Mystic River; Gone, Baby, Gone; and Shutter Island. How did the process for The Drop, the book and the film—evolve?
Dennis: 10+ years ago, I attempted a novel in which one of the characters rescued a dog from a trash can. I couldn’t pull the novel together, though. It broke my heart because I loved several of the characters—the guy who found the dog, his cousin who owned a bar, a woman he met, a messed up but well-meaning cop. A few years later, I went back to the first chapter, where Bob Saginowski finds the dog, and turned it into a short story. Some folks in Hollywood asked if I’d adapt it into a screenplay. The idea appealed to me because I still had that bench of secondary characters I hadn’t gotten a chance to use.
David: The Drop is your screenwriting debut. How does writing a screenplay differ from writing prose? Which do you prefer?
Dennis: A novelist is God; all originates from him and he has final say over his universe from a single blade of grass to breadth of the Milky Way. A screenwriter is an employee, one of maybe 150 people who contribute to a film. It’s so much less stressful being the employee than it is being God, no question, but maybe I like stress.
David: What was it like to revisit characters you initially created for a short story and bring them into a full length novel?
Dennis: It was like bringing them home. They’d belonged in a novel all along; it just took me over a decade to figure out what that novel/script/film actually was.
David: What’s it like to see characters you’ve created in print come to life on screen? Do you find that actors surprise you, draw out qualities that you didn’t recognize on the page?
Dennis: Great actors have no skin. They’re all exposed nerve and naked heart. To watch someone as gifted as Tom Hardy, Sean Penn, or Amy Ryan, to name just three, inhabit my characters and take them to places I never could have predicted—but to do so with conviction and honesty—has been profoundly gratifying.
David: The dog plays such a central role in this story. Where did your inspiration for him come from?
Dennis: I love dogs. Got one snoring at my feet as I write this.
David: The setting of Boston has always played an important role in your novels. What brings you back there?
Dennis: I was blessed to grow up in a unique city during difficult times. It’s given me a lifelong affinity for unique and difficult things.
David: The Drop is a gritty, dark story, and there are no conventional “heroes.” Do you ever have an author’s anxiety about characters’ likeability? Dennis: No. We loved Tony Soprano, a murderer who destroyed most of what he touched, because he was harried by his mother and couldn’t get his basic household appliances to work when he needed them to; we loved Othello, even after he murdered his wife, because most of us understand the pain of being treated as second class, regardless of our achievement. Audiences don’t what likeable characters, they want relatable ones. In The Drop what the characters want—absolution from past sins; respect; a knight to come to their rescue; confirmation of their faith—strikes me as pretty common stuff. Not dark at all. (Okay, a little dark.)
Review
“Lehane…is a master of the sort of deadpan-noir pioneered by the late Elmore Leonard… It’s a style full of dark situational humor, sudden mayhem and quirky regional grammar.” (Wall Street Journal)
“This book is as authentically grounded in place as his earlier works and more pleasurable than any tie-in novelization…has a right to be. And “The Drop” benefits from bracing blasts of Lehane-ian humor.” (Boston Globe)
“Understated and perfectly paced….What makes The Drop so good is not just the pacing, which is just about right, but the mood…. There’s also the very stylish writing. (Philadelphia Inquirer)
“A tight, gritty little tale of working-class crime in Boston….Lehane breathes pulsing life into his story through the small details of his stoop-shouldered characters’ lives, investing their every mannerism with unspoken emotion.” (Booklist (starred review))
From the Back Cover
Dennis Lehane returns to the streets of his acclaimed New York Times bestseller Mystic River with The Drop—A love story wrapped in a crime story wrapped in a journey of faith
The Drop follows lonely bartender Bob Saginowski through a covert scheme of funneling cash to local gangsters—"money drops"—in the underworld of Boston bars. Under the heavy hand of his employer and cousin, Marv, Bob finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the past of a neighborhood where friends, families, and foes all work together to make a living—no matter the cost.
Now a major motion picture from Fox Searchlight Pictures directed by Michaël R. Roskam, with screenplay by Dennis Lehane and starring Tom Hardy, Noomi Rapace, and James Gandolfini
Most helpful customer reviews
206 of 221 people found the following review helpful.
Fine if you want to read a movie instead of a Lehane novel.
By M Elliott "a reader from TX"
Be forewarned: this is not a new "novel" by Dennis Lehane. It is a novelization of a screenplay developed from a short story, "Animal Rescue," by Lehane which appeared in an anthology, Boston Noir, in 2009--according to the flyleaf--and the rights to the "novel" are owned by 20th Century Fox.
I regret to say the writing, except for the first chapter, the aforementioned "Animal Rescue," only marginally resembles Lehane. The tone is the same, many of the words, but the skill, the talent, the depth of Lehane's usual work--the heart and soul--is missing. The paperback, admittedly an Advance Reader's Edition, is short, sketchy, sloppy, filled with typos and errors (toward the end, a main character, Nadia, is referred to as Natalie, and Bob's relationship to Cousin Marv is described one way in the early part of the book, and another at the end); nine-tenths of the book seems lazily written. The film, made from this expanded short story, may be excellent, but the book is misrepresented. As a courtesy to readers, particularly Lehane fans, the publishers and Amazon Vine should make that clear.
Too bad, too, because lonely bartender Bob Saginowski and Rocco, the puppy he rescues, are interesting and appealing, and I cared what happened to them. Rounding out the cast of book and film are Cousin Marv, who "owns" the bar where Bob works, a woman named Nadia, Eric Deeds, a sociopathic ex-con, a Boston detective named Torres, a threatened Catholic parish, and members of the Chechen mob who control the criminal enterprise in Bob's section of Boston. But all the characters, with the possible exception of Bob and Cousin Marv, are so thinly developed that we never get to know them fully or care about them. They are outlines rather than flesh and blood, with dialogue, mannerisms, and behaviors that border on cliche. They read, in effect, like a "treatment." The plot is somewhat suspenseful, but it, too, lacks mood and depth, and the denouement seems a little too contrived and pat. The Drop reads like what it is: a book-from-the-movie. It's visual, short, less than typical Lehane--except for the character of Bob and Cousin Marv, perhaps, and not all that satisfying.
41 of 48 people found the following review helpful.
"We don't let ourselves out of our own cages."
By E. Bukowsky
We are back on the mean streets of Boston in "The Drop," by Dennis Lehane. Christmas is over and Bob Saginowski, who tends bar for his Cousin Marv, spends his days working, going to church, and looking for a companionable female to alleviate his loneliness. He has little luck with dating, but as fate would have it, Bob comes across a puppy who was abused and subsequently discarded. Bob takes in and cares for the dog, whom he names Rocco. Unfortunately, nothing ever comes easily for Bob or Marv. Someone gets wind of Bob's new pet and pronounces himself the dog's rightful owner. In addition, members of a ruthless Chechen syndicate, who actually own the bar that Marv manages, are none too pleased when masked gunmen hold up their establishment and abscond with five thousand dollars. There will be consequences.
In this concise and hard-edged novel, Lehane entertains us with punchy, amusing, albeit profane dialogue, and brief sketches of hardened, selfish, and greedy individuals, some of whom are as dim-witted as they are heartless. Although several of the characters are quick to take offense, they fail to realize that they have no monopoly on rage. Blood flows freely in "The Drop" and, as the story progresses, our hero must decide whether it is in his best interests to avoid confrontation at all costs.
"The Drop" is about clueless lowlifes who try to score easy money, put one over on their enemies, and avoid being blown away. In addition, a suspicious detective named Torres takes a dislike to Bob and comes sniffing around, looking to bust him for something. The plot is fast-paced and edgy, and Lehane dishes up some twists that few will see coming. This is a bleak and savage world in which people go to great lengths to maintain a semblance of self-respect, fend off anyone who poses a threat, and in Bob's case, find love. To sum up what seems to be Dennis Lehane's worldview: "The worst in men is commonplace. The best is a far rarer thing."
8 of 8 people found the following review helpful.
Great to have Lehane back in his element...a fun, fast read.
By Larry Hoffer
It all started with a puppy.
Bob Saginowski is a sad-sack bartender, living in the house he grew up in, spending his time shuffling between work, home, and mass at his childhood church. He's a loner; his only real companion (and that's a bit of a stretch) is his cousin Marv, who used to own the bar Bob works at, although the bar is now really owned by Chechen mobsters. Bob spends his days wishing for a way out of his loneliness, and he's hiding a secret or two as well.
One cold winter night while walking home from work, he finds a badly beaten puppy in a trash can. Although the responsibility of caring for something scares him, he rescues the dog and ultimately bringing it home with him. When he finds the dog he also encounters Nadia, a world-weary woman who has seen more than her share of problems. Without expecting it, he finds himself caring for both Nadia and the dog and is utterly unprepared for how it feels.
But all is not rosy for Bob—not only is his church closing, but the bar gets robbed, he catches the eye of a dogged cop determined to make something of himself again, and the dog's original owner, an unstable ex-con with an agenda of his own, returns and wants what he believes is his. It's more than enough to make Bob wonder what path he should follow, and what the consequences of his actions will be.
Dennis Lehane is one of my favorite authors of all time. While this isn't as good as Mystic River or a number of his Kenzie and Gennaro novels, I really like Lehane best when his writing leans more toward grittier, violent character studies than some of the historic material he's covered in his last two books. I love his use of language, both in dialogue and description, and while not everything that happens in the book is surprising, he still knows how to create some good tension.
I learned after I read The Drop (in a little more than one day) that it is an expansion of a short story Lehane wrote in 2009, which explains why, even at just under 250 pages, I felt the book was a little short, and would have liked more time with Bob, Marv, Nadia, and even Detective Torres. There was a lot of intriguing material that could have been developed further, although I didn't feel as if the book ended abruptly or was too short.
I forgot that a movie adaptation of this book is due out later this year. While I try not to read books that close to a movie adaptation (especially one with a little suspense in it), I'm looking forward to seeing how the actors bring to life the characters I've pictured in my head. If you're not planning to see the movie, and you enjoy crime novels, this is one to read. It's a fast read, it's well-written, and most importantly, it's good to have Dennis Lehane back in his element. (Of course, now I want another book, Dennis.)
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